Monday 6 February 2012

Disillusionment in three

Apologies for the somewhat pessimistic tone of this post, but I do have the flu, after all. Not just any flu, either - by far the worst flu that I have ever had in the UK. It is not as bad as my worst flu ever, which I caught in Prague, while living in Mala Strana. That was the kind of flu that makes things spin, which is quite interesting when you live in a neighborhood full of baroque architecture...but I digress.

As I have not left home for several days - indeed, I have only recently regained the ability to use my laptop - I shall beg the readers' indulgence for a post of this nature.

Disillusionment No. 1. Gig-going in Camden.
One of my resolutions upon moving back to London was to try to hear more live music, as a result of which I found myself on Thursday evening squeezed into the upper room of the Lock Tavern for the Young and Lost acoustic night. Perhaps the unbelievably pretentious faux-angsty title should have put me off, or perhaps I should have heeded A. A. Gill's warning that hanging out in Camden past a certain age is "cause for self-pity", but Stranded Horse, who I deeply love, was playing. So I had to go. And force others to accompany me. I in no sense fancy myself a music critic, but whoever curated the evening needs to have a word with themselves on multiple levels: of four acts, the first two were clearly superior, the sound engineering left much to be desired, and one band in particular beggared belief. Image a parody of a parody of 1950s Big Band with a vocalist alternative channeling Anthony Kiedis and Modest Mouse. Add dramatic hand gestures and subtract any sense of irony or humor and you begin to get a sense of the pain. Then there was the behavior of the crowd. Why go to hear live music if you're going to talk, loudly, throughout? Still, Stranded Horse was lovely (that's him, below) and the rudeness of the assembled audience proved an excellent aid to overcoming my habitual unwillingness to speak to artists - saying thank you felt quite necessary after all the loudness.


Disillusionment No. 2. Snow siege in Crouch End.

So it snowed on Saturday night, which was deeply exciting. As someone from a country with four actual seasons (though these are often reduced to summer and winter) the monotony of the UK climate tends to get me down. Snow makes me happy. Watching it fall makes this song start playing in my head. As a child, freshly fallen snow always placed me in a dilemma - I really wanted to play in it, but hated to disturb the beautiful pristine frostiness. No such quandary seems to have troubled the brave young men of Crouch End, who, upon being ejected from Kiss the Sky around 1am, proceeded to pelt my row of houses and any passing cars or pedestrians for thirty minutes. Far from being the magical substance of my youth, snow in London, as seen above, seems to be prized primarily for its efficiency in providing the local citizenry with frozen weaponry. Bless, perhaps it's all just too much for them.

Disillusionment No. 3. The elusive B359.
P and I having been stricken simultaneously by this plague (and having watched all available episodes of season 8 of House), we decided to take advantage of our housebound state to research some unsolved mysteries. Having previously determined precisely who (or what?) Peppa Pig is and source of taramasalata's high fat content, we set about locating the precise location of the B359. For the uninitiated, this the road that Hugh Grant's character misses the turning for in the first nuptials of Four Weddings and a Funeral, leading to much swearing and general hysteria. Turns out it doesn't exist. It is actually the A359. We know this because of an absurdly pedantic website about Dorset in film. Perhaps David Cameron should worry less about British cinema's financial viability than its factual accuracy, eh?

As it seems that everyone and their great aunt Beulah is sick right now, to what absurdities has the flu (or the wintry weather) driven you and yours?

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